Read More. By framing the images as a truly collective, democratic work, La Pocha Nostra hopes to encourage viewers to unpack complicated issues of authorship, ownership, credit and criticism. COVID-19 Resources. Recovecos/Crevices | Father Gilbert's last major work Available in three editions: linen with dust jacket cover, hard cover and softbound Father Gilbert's last major work, Recovecos/Crevices, is now out in the market—in softbound and hardcover versions. I begin new projects with activist preacher Reverend Billy, Cuban conceptual artist Tania Brugera, Lebanese-American photographer RJ Muna, Chicano comedian Richard Montoya, Mexican electronic composer Guillermo Galindog, the rock band The Size Queens, Native Collective Postcommodity, VestAndPage (Andrea Pagnes and Verena Stenke), Francesca Carol Rolla, Brazilian choreographer Marcela Levi, Marceli Antunez and Mexican performance diva Maria Eugenia Chellet, etc.". The resulting dioramas involve physical interaction with the audience, encouraging visitors to engage in the reflection of their own psychological and cultural monsters. People on the street became involuntary performers on the stage of Gomez-Peña’s neighborhood and living metaphors of a transient border zone. With Saula Garcia López and Balitronica Gómez. Guillermo Gómez Rivera Guillermo Gómez Rivera is a Spanish Filipino multilingual author, historian, educator and linguistic scholar whose lifelong work has been devoted to the often controversial movement to preserve Spanish culture as an important element of the Filipino identity. (1992-End of Empire). It sparked him to begin exploring a body of spoken word performance solos that he continues to develop and perform to this day. “For over 30 years Gómez-Peña has occupied a space somewhere between the terminus of Western Civilization and the underbelly of modernity, where Hi-tech Aztec, Cyber Pocho and Superbarrio contend for a White House bid. A recurring theme in Gómez-Peña’s work has been an obsession with rewriting and restaging so-called “Western Art History” while highlighting colonial legacies of systematic exclusion, demonization and fetishization of Brown, Black and indigenous bodies. This ever-unfolding series is part of La Pocha Nostra’s current performance repertoire. Guillermo Gomez-Rivera, in the study already quoted, says that "the meter of these old songs was irregular, oscillating from octosyllable to endecasyllable verse. During the ritual component, La Saula & Balitronica engage in a performance ritual action inside the carcass of a large cow or pig corpse borrowed from the local slaugherhouse. Emily was 7 months pregnant. The final mix was made at the 3CNUNO 2019 in Mexico city by DJ Ricardiaco and Rodrigo Castillo Filomarino. Genoveva Edroza Matute career included several literary works that helped her to become well known: During her time as a teacher, Matute authored a number of short stories. Gómez comes from a 17 th-century Spanish alférez from Pagsanján, Francisco Gómez, who married a Tagala named María Dimaculañgan, while Rivera traces its roots to nearby Pila. They witnessed “the creative neighborhood” and the city as a “bohemian theme park”, using the windows of an immigrant bus as a vantage point to watch the streets while simultaneously eavesdropping on the artist’s mind. Combining spoken word poetry, activist theory, radical storytelling and language experimentation, Gómez-Peña offers critical and humorous commentary about the art world, academia, new technologies, the culture of war and violence in the US, organized crime in Mexico, gender and race politics, and the latest wave of complications surrounding gentrification in the “creative city”. Tingnan ang profile ni Guillermo Gómez Rivera sa LinkedIn, ang pinakamalaking komunidad ng propesyunal sa buong mundo. The Living Museum of Fetish/ized Identities is a project of La Pocha Nostra. "La Nostalgia Remix: Solid Gold" was a culminating performance anthology of the artists’ past collaborations in the form of a live art record album and a series of performances inspired by a chance game of routlett. She silently speaks of the devastating erasure of complex identities. It was conceived of as 'experimental curiosity cabinet', a sort of living museum where participants exhibit constructed 'hybrid personas' based on their own complex identities and personal sense of race and gender. Get this from a library! Other versions were performed at PRISMA in Oaxaca (Mexico), the Three Rivers Art festival in Pittsburgh (US) and El Arte es Acción in Madrid (Spain). Most of them, however, were written along the 'verso romance', which is the octosyllable with accentuations on the third and seventh syllables, introduced by Spain."' In his preface to this book, completed barely two weeks prior to his death, he sensed the danger surrounding him at his friary at the height of the pandemic. This is a compilation of Filipino authors and their corresponding books. Since the early 1990s, conceptual artist James Luna and Gómez-Peña worked on an ongoing project titled “The Shame-man meets El Mexican't,” in which the duo challenged assumptions and lazy thinking about ethnicity and culture in our society infused with a strong dose of melancholic humour and sharp-edged conceptualism. Designed as a theater of mythos and cultural pathologies, the "Temple" proposes a ceremonial space for the reflection on ethnic, racial, and gender prejudices. Beginning in February of 2013, Gómez-Peña began a series of performance workshops and “jams” between “national” and “post-national” artists from Mexico and the U.S. Curated and directed by the artist, as part of his Posnacional project, these multiple collaborations between artists from both sides of the border and three generations take the form of live performances, workshops, theoretical dialogues, poetry slam festivals and photo-performance sessions. With their late works, BAW/TAF became the first Chicano troupe to ever be accepted in the Venice, Sydney and Habana Biennials. "La Nostalgia Remix" was the last project in “The Shame-man…”. Here’s an excerpt of a conceptual press release: “In a radical move to form the biggest, wildest mega-church of the 21st century, the congregations of the Church of Stop Shopping and the apostles of the Mexiconspiracy of Borderasure, we have decided to merge in an interfaith wrestling match! The result is a multifaceted reflection shifting between fiction and the realities that expose the depth of internalized racism in this country. `_ ������ ��}���{����M�X�9�E'��&Z:6��q�A�Ԧ In early 1979, Gómez-Peña walked from Tijuana to CalArts in Los Angeles in two and a half days. One of the photographs is in the private collection of LACMA. "Dear reader: This performance chronology is a conceptual artwork in permanent progress. (322) 222 2477, Cell: 044 322 150 5148 From USA or Canada: 1 269 282 9750 Basilio Badillo 269 , … It’s the barbarian vs. the noble savage narrative replayed over and over again. Other times she holds placards with statements like: “Against the erasure of complex identities and eviction.” or “Trump no existe.”. These residencies also contribute to the development and professionalization of performance art in Mexico. Over the course of the day, many passersby interacted with the cocooned person/object: talking, kicking, poking, confessing, and verbally threatening. In this final project, the artists challenged the audience to move, groove and experience the performance actions from multiple perspectives and “git down” to participate in the celebration of the end of western civilization. found: The Filipino state and other essays, 2019: t.p. Search for: Guillermo Gómez Rivera. Guillermo Gómez Rivera is a prize-winning author whose creative work intersects literature, music and dance. The Phantom Mariachi and Amy Vasquez by Emma Tramposch | Gomez-Pena. These Reencuentros are meant to reconnect La Pocha Nostra and the Chicano artists that they bring with several generations of performance artists in high migration areas, to increase involvement in the radical pedagogy of performance in the "other" Mexico. The artists invite audience members to reflect on the culture of violence against the "other" including migrants, indigenous peoples and, on the US side, Mexicans and refugees. Buy the video or watch a preview at vdb.org. Señor Gómez was a good friend of Nick. Barely two weeks after completing this book, he died from complications … Guillermo ay mayroong 2 mga trabaho na nakalista sa kanilang profile. Whirling through various Mexican American stereotypes, Gómez-Peña emphasizes the collision of Mexican and American cultures, their mixture and misunderstanding of each other, each appearing as a dream/nightmare reflection of the “Other.”. The video begins at the inception of a second U.S./Mexico war.