I cringe at my early work, and I cringe often at my recent work – so many mistakes. In comparison to its competitors, the minimum focal length of 0.25m is insufficient. The lenses aperture is de-clicked which means that cinematographers will enjoy a lens whose movement is fluid and … Does using a prime to shoot video give a good experience for recording kids or do you think it's too limiting? Most of this video Wrong’s What I Do Best was shot using the 18-135mm (for a couple of the shots of San Francisco I used the Sigma mentioned below). In addition, prime lenses typically have lower f/stop numbers or maximum apertures, which means that they can allow more light to hit the sensor, which ultimately allows for more creative control over your video; that can mean better control over the light in the scene as well as control over the depth of field for that dreamy shallow depth of field (bokeh) look. Canon - EF 40mm f/2.8 STM Standard Lens - Black. That’s our job, as visual storytellers. The lens features two advanced aspherical elements and three extra-low dispersion glass elements. Is it worth it? Anyone looking for an MFT lens that has super telephoto zoom to shoot their videos should have this lens up their alley. The imagery captured using this lens has almost no distortions and color fringing. It works brilliantly. Again, remember, “best lenses” is a very subjective matter! 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A great all-rounder. Again, no image stabilization. Canon introduced auto-focus for DSLR last year with the revolutionary 70D. This hooded lens with a rear drop-in feature is perfect for shooting in extraneous light environments. Achieving a fete that a lot of MFT lenses have been incapable of, the wide-angle zoom Olympus M.Zuiko Digital ED 7-14mm f/2.8 lens provides users with a nearly panoramic view. This is the one. Canon EF-S 18-135mm f/3.5-5.6 IS STM. The telephoto capabilities of the lens are unprecedented. It’s a classic. The lens boasts a minimum focal length of 0.25m, a fixed focal length of 35 mm, and the capability to lessen the occurrence of ghost images and flares. The lenses F/6.3 aperture is rather slow, especially at the 400mm zoom range. Unlike some of its competitors, the manufacturers of this lens certainly figured out how to improve the telephoto capabilities of the lenses without compromising on the ultrawide optics. Again, it comes down to goals. In fact that’s exactly how I treat it. With a pro price to match: $2,300. Joe. If you’re a pro, then you likely already own this lens (or rent it). A great all-rounder. That doesn’t mean that you need to spend a fortune mind you. These lenses have an angle of view close to 45°, which replicates the perspective seen by our eyes. If you were to poll a bunch of photographers and ask them what's the first lens a beginner photographer should buy, a good portion of them will say a 50mm "nifty fifty" prime lens. The lenses aperture is de-clicked which means that cinematographers will enjoy a lens whose movement is fluid and one that enables smooth aperture adjustments. It depends on how you’re planning to use the camera. Thanks to it glorious bokeh (the unfocused area of the frame) you might just be blown away by the results. Well, okay, you might have a point. Again, that filmic look! Search YouTube and you’ll find endless comparos for cameras and lenses. Browse the top-ranked list of Prime Lenses For Video below along with associated reviews and opinions. Here's 5 lenses that work great for shooting video. This Sigma give me wider angles and superb low-light performance (F1.8). New to video, and want to buy just one … It’s on my 70D about 90% of the time.