Both mics are part of Telefunken Elektroakustik’s “RFT” series (for Radio Fernseh Technik). First Look: Pro Tools | Carbon. Weight: 430 g. … As always, there's never a guarantee that a mic, however good, will suit a particular vocalist and if you're working predominantly with one vocalist it's a good idea to audition a wide range of mics to find the one that works best. One Synth Challenge V - The Filter Strikes Back! With the AK47 I got a great sound both really close to the singer and 12-14 inches away. Q. Before Telefunken USA could attempt to replicate an Ela M251, they had to reverse-engineer and document the original, because there was no blueprint available. It was designed by Oliver Archut at AMI/TAB Funkenwerk, the supplier of the mic’s BV47 output transformer. This capsule, the 6072 tube and the model T14 transformer were the same key parts as used in the AKG C12, so the models are inevitably similar in some respects, and the Ela M251 actually replaced the C12. The one-inch-diameter dual capsule is sourced 'overseas' (which probably means the Far East), and uses a pair of six-micron sputtered gold-on-Mylar diaphragms. I've tried less costly tube mics that sound every bit as smooth, but I think you have to work with a mic for a long time to discover its true strengths. The original was developed during the 1950s in collaboration with Vienna-based AKG, as a competitor to the Neumann U47, and it used the famous AKG CK12 capsule. Overall, the AK47 measures 46 x 240mm and weighs a substantial 30.5 ounces. Whether this mic is worth the asking price is a more subjective question. Telefunken Alchemy Series | Audio Examples, Win! Like most large-diaphragm studio mics, the AK's frequency response isn't ruler-flat, and as well as a very slight presence peak there's a noticeable mid-range dip at around 300 to 400Hz. Web site designed & maintained by PB Associates & SOS. The capsule is a K67 derivative, despite the “47” in the microphone’s name. The R-F-T AK-47 Mk II is a revised version of Telefunken Elektroakustik’s AK47, a multipattern tube condenser. Initially, it was the Telefunken Ela M251 model that took Toni's attention. At 125dB, the maximum SPL is a little lower than for most studio mics, but that's still adequate for all but the loudest sources, and I'd expect this model to be used mainly for vocals or acoustic instruments, rather than kick drums! Like most large-diaphragm studio mics, the AK's frequency response isn't ruler-flat, and as well as a very slight presence peak there's a noticeable mid-range dip at around 300 to 400Hz. The tube is a NOS (New Old Stock) EF732 miniature wire-ended device (also used in some Soundelux microphones) that is soldered directly to the circuit board. Not that this matters a jot, of course, because what makes mics of this type so attractive is the way they sound, rather than how they look on paper. Telefunken Elektroakustik R-F-T AK47 Mk II Multi-Pattern Tube Condenser Microphone . The vacuum tube is a NOS Telefunken EF-732 sub-miniature tube. The Telefunken name has kudos, and although this model isn't one of their high-end vintage recreations it certainly looks the part. A small metal U-clamp secures the miniature tube, and the body shell is held in place by means of a bright-plated locking ring at the mic's base. At the low end the response rolls off gently below 200Hz, presumably to counter proximity effect in cardioid mode, and at the high end the roll-off starts at 15-16kHz. One paper specification that does matter is noise, and this mic manages a 76dB S/N ratio and a sensitivity of 14mV/Pa. The TELEFUNKEN AK-47 MkII is a large diaphragm multi-pattern vacuum tube microphone that has been designed around a sub-minature pentode tube and a large format output transformer. PreSonus StudioLive 32SC Series III Mixing Console. 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