par Télérama. Ghost Dance (1983)|  Director Ken McMullen |Runtime: 100 min | Country: West Germany/UK | Language: French | English Ratio: 1:33| Colour: Black and White | Colour Sound Mix: Mono Genre: Drama | Certification: UK:15| Producer: Alan Fountain, Ken McMullen, Eckart Stein |Writer: Ken McMullen | Principle Cast. Ce film n'a pas été vu. Votre abonnement CANAL vous permet de bénéficier des contenus Télérama réservés aux abonnés. …………………………………………………………………………………………………………………. Derrida explique cette situation dans Ghost Dance. « Les idées sont éternelles, personne ne peut tuer une idée, les idées sont des fantômes » (Kenneth McMullen, Ghost Dance). « Un fantôme passe toujours très vite, à la vitesse infinie d’une apparition furtive, … Indeed, when McMullen asks Derrida to sign his copy of Specters of Marx, Derrida's inscription reads, "Ghost Dance again." DVD Extras: Interviews with Dominique Pinon, Leonie Mellinger, Bernard Stiegler (Philosopher), Oscar Rivera (Philosopher), Jean Max Cause (Cinema Owner).Locations In Paris (Cinematography). Directors commentary. Si les idées sont des fantômes, c’est parce qu’elles reviennent. The film’s intellectual centre is French theorist Jacques Derrida whose ideas about ghosts being memories of a past never present underline much of what happens on screen. The film focuses on philosopher Jacques Derrida who considers ghosts to be the memory of something which has never been present. Il commande et prend sa place ; il lui cède, mais il devient lui et indique son retour. Photogallery. Ghost Dance is a visually impressive and complex examination of ideas about ghosts, memory and the past seen across the adventures of two women (Pascal Ogier and Leonie Mellinger) in Paris and in London. 1983 britannique Réalisé par Ken McMullen 1h40 avec Jacques Derrida, Léonie Mellinger, Pascale Ogier. This theory is explored in the film. A travers les aventures de deux femmes à Paris et Londres, analyse de la complexité des idées relatives aux fantômes, à la mémoire et au passé. This interest in Marx is also motivated by Stiegler's materialist theory of photography and film inspired by his reading of Roland Barthes's … Subtitles – Spanish and French. Through the experiences of two women in Paris and London, Ghost Dance offers a stunning analysis of the complexity of our conceptions of ghosts, memory and the past. Documentaire. Key Points of Interest: Ghost Dance became a major cult picture not only because it launched the film careers of Robbie Coltrane, Pascale Ogier and Dominique Pinon but also because of its unusual combination of humour and leading-edge contemporary philosophy contained within an adventure journey. Writer-director Ken … Comparable Works: Celine And Julie Go Boating Thelma And Louise Oh Lucky Man, Sans Soleil, Weekend, Viva Maria. Vous êtes connecté avec votre compte CANAL. The film’s intellectual centre is French theorist Jacques Derrida whose ideas about ghosts being memories of a past never present underline much of what happens on screen. Portraits. Parce qu’il joue lui-même dans un film, Derrida dit qu’il laisse le fantôme (sa voix et son image) parler pour lui. Pascal Ogier, Leonie Mellinger, Jacques Derrida, Dominique Pinon, Stuart Brisley, Robbie Coltrane | Cinematographer: Peter Harvey | Original Music: David Cunningham, Jamie Muir & Michael Giles | Film Editing: Robert Hargreaves. …………………………………………………………………………………………………………….. Ghost Dance is a visually impressive and complex examination of ideas about ghosts, memory and the past seen across the adventures of two women (Pascal Ogier and Leonie Mellinger) in Paris and in London. Ghost Dance. It is an adventure film strongly influenced by the work of Jacques Rivette and Jean Luc Godard but with a unique intellectual and artistic discourse of its own and it is this that tempts the ghosts to appear, for Ghost Dance is permeated with all kinds of phantomatic presence. Leur furtivité ainsi que la dimension incantatoire de la philosophie s’imposent comme une évidence dans la pensée de Jacques Derrida. Découvrez toutes les formules d'abonnement à Télérama. Writer-director Ken McMullen also draws upon anthropological myth studies, most notably the cargo cults, and explores the possibility that ghosts have been able to use electricity and electronics to expand their presence in the modern world -Ken Wlaschin,Los Angeles Times. Substantial requests for DVD release from around the world particularly UK, France, Germany, USA and South America.