The R84’s gorgeous mid-range captures the unique qualities of many instruments with detailed elegance. 'Smooth' does not even begin to describe it.” – Paul Vnuk Jr. 6.3 mV/Pa (-44 dBv/Pa) into unloaded circuit, Native bidirectional, figure-of-8 pattern. For the best experience on our site, be sure to turn on Javascript in your browser. A Workhorse Ribbon - The R84 series quickly endears itself to engineers and musicians due to its remarkably expansive frequency range complete with sweeping highs and booming lows. […] the A840's active buffer meant complete freedom from the vagaries of preamp impedance, which was useful.” – Hugh Robjohns, Mix Mag || “At this price, you should have at least one R84 in your locker, especially if you're looking to put some life into your digital signal chain. The AEA R84 (DJV) is a modern ribbon (dynamic) microphone that is great for voice and other monophonic solo instrument such as sax, trumpet, violins and cello. AEA Ribbon Mics A840 - Phantom Powered Ribbon Microphone. The R84A is an active version of the R84, allowing its use with a wider range of preamplifier Press the space key then arrow keys to make a selection. It’s basically an R84 with a built-in preamp. The active R84A mic retains the same sonic character of the R84, but with an additional 12dB of output and a stable impedance. Published February 2004. Softcase, User Manual, Captive 10" (3 meter) Cable with XLR-3M Connector, AEA RPQ500 Microphone Preamplifier (500-Series), AEA A440 Ribbon Microphone (Phantom-Powered), AEA N22 Ribbon Microphone (Phantom-Powered), API TranZformer GT Guitar Pedal (Compressor EQ), API TranZformer LX Bass Pedal (Compressor EQ), Behringer Powerplay P16-D 16-Channel Distribution Module, Behringer Powerplay P16-I 16-Channel Input Module, Behringer Powerplay P16-M 16-Channel Digital Personal Mixer, Behringer Powerplay P16-MB Mounting Bracket for P16-M, SKB 1309 iSeries Case for Sony A7R IV Series - 3i-13096A74, SKB 1SKB-44PRO Rectangular Electric Bass Case, SKB 1SKB-61 Electric Guitar Case (SG Style), mic retains the same sonic character of the, The extra 12db of output is a huge help when recording quiet sources like vocals and soft acoustic guitars. When using even high-quality condensers with a DAW, you forget how good things can sound and end up settling for “really good” instead of “excellent.” A quality ribbon like the R84 can take a production to the next level, injecting some butter into a margarine world.” – Kevin Becka. The R84 is a passive ribbon and does not want or need phantom power. “AEA’s classic R44 series and our neoclassic R84 / … By using modern design techniques and stronger — but smaller — magnets in the R84, the classic RCA ribbon sound is retained. My alternatives are a Fethead, or just get the R84A, which works with phantom power but is more expensive than the R84. If you do not own a ribbon preamp, we recommend the active R84A because of its higher output and preamp flexibility. The extra 12db of output is a huge help when recording quiet sources like vocals and soft acoustic guitars. Preamp gain should be at least +60dB or higher and it should have a very high impedance. The R84A requires standard 48-volt phantom power to operate the active circuitry. The mic’s U-shaped yoke acts as a shock mount and also enables the user to position the R84 at numerous angles even with a straight stand. AEA R84A Ribbon Microphone (Phantom-Powered). However, preamps with above a 5K ohm impedance found in many live soundboards are adequate for guitar amps and other louder instruments. Based on the character of the legendary R44, R84 series ribbon mics provide classic tonality with extended top-end and reduced proximity effect for medium and close range recording. The R84A is an active version of the R84, allowing its use with a wider range of preamplifiers. Operate the active circuitry also prevents noise, interference on long cable runs or when near. Interference on long cable runs or when operating near large lighting rigs and louder! 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