The active NUVO N8 is a modern ribbon mic that records the live, natural sound of instruments within a space as it would sound in-person, with all subtlety and nuance present. AEA N8 Bidirectional Active Ribbon Microphone. The N8 uses the same custom transformer utilized in the AEA A440 and R84A microphones, enabling additional output over passive microphones and a stable impedance. Also love it on vocals and especially electric guitar amp as a direct alternative to a 121. An Active Ribbon Mic From AEA. ©2020 AEA Ribbon Mics & Preamps, All Rights Reserved. Conceived to render acoustic spaces as faithfully as possible, the new N8 microphone excels in capturing drum overheads … From outdoor gigs at music festivals to indoor theaters, NUVO mics are the perfect companion to bring the sound of studio recordings to the live stage. Engineers in both the studio and on the scoring stage who use the R88 desired a mono version that was more discreet, lightweight and easier to position. AEA’s own recording series featuring our favorite artists. Meet Our Preamps. Mainly for use in smaller, less than ideal environments, where close micing without excessive proximity effect is desirable. The N8 captures a space as it sounds live and in person, with all the present subtlety and nuance. For the uninitiated — the N8 is the far-field companion to the stellar N22. AEA N8 Ribbon Microphone at a Glance: Classic ribbon sound for your recordings Versatile and durable recording tool AEA evolves the ribbon mic. What's the rest of your signal chain? If less proximity effect is desired when recording at close range, the near-field AEA N22 is an effective ribbon mic to complement the N8’s far-field performance. When you buy products through links across our site, we may earn an affiliate commission. is an effective ribbon mic to complement the N8’s far-field performance. Hey there! The N8 hadn't yet been released when we purchased the N22's. Following the successful N22 model designed for singer-songwriters and project studios, the AEA N8 sounds distinctly different despite having a similar appearance to the N22. AEA N22 Bidirectional Active Ribbon Microphone. Still, something doesn't sound right to me based on what you are describing. With increased durability and a small profile, it’s no wonder that a wide range of performers use AEA’s NUVO series microphones on the road. Most traditional ribbons were designed to function as far-field microphones that recorded sources from a relatively great distance. This is a very nice and well-priced microphone and I think Wes and AEA really have realised a ribbon mic for the 21st century. I suppose this is somewhere in between Faulker Array and ORTF. As far as the original N22 is concerned, AEA state that at 6-8" the mic has a balanced bass response. I just got an n22 today and have a question about the blast protection. The 1.8-micron, 60mm (~2.3'') ribbon is the same as found in the R84 and R92, the new Nuvo N8, and other AEA ribbons, but in the … I had a an AEA R44 for years, and while in a good sounding room it's one of the most glorious mics I've ever … In the west the boundary cuts through Hampstead Heath and follows the North Circular Road and Dollis Brook for short distances. Although looking similar to the N22, which was aimed primarily at nearfield vocal duties, the new N8 is intended for a very broad range of instrumental and ensemble applications, working typically in the mid and far fields. 6" is a distance where the N22 is designed to operate. The N8 is the second active ribbon mic in AEA’s “Nuvo” series, following the N22. Discreet in shape and size, AEA’s NUVO series microphones are lightweight, portable and easy to position. n8 seems more bright/acting like a condensor with guit in this eloquent comparission. The mics are totally rugged and hold up to daily wear and tear. On a more positive note, the N22 did great things on strings and percussion recordings as well as delivering great room tone on drum and guitar recordings. For that, AEA offers another new ribbon (the N8 model) which is optimised for distant miking situations. Being a symmetrical ribbon microphone, the polar pattern is fixed at figure-of-eight, and the polar plot shows the response to be very even across the frequency range. With the NUVO Windscreen, never worry about the ribbon – even at windy gigs. “[The N8] has depth, detail, and bottom end for days. Most of the problem is related to players strumming with a pick. “The N8’s and the N22’s have become pretty much the standard for both the band’s touring set up and day to day recording in my studio.” artist Ali Shaheed Muhammad / A Tribe Called Quest Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. The N8 shares the same Big Ribbon as the R44, so you can be sure that you are getting true, quality ribbon transducer response and behavior. AEA Ribbon Mics and Preamps manufactures quality ribbon microphones and preamps that reflect your sound the way you hear it. From as far away as 20 feet away, the N8 retains the low end frequencies of the sources it captures, and its open, natural tonality makes it perfect to record an entire orchestras or the full low end of a drum kit from overhead. The N8 and R88 share the same minimalist design philosophy and honest sound. If less proximity effect is desired when recording at close range, the near-field AEA N22 is an effective ribbon mic to complement the N8’s far-field performance. Postcode district N1 is the nearest of N postcode districts to central London and the N2–N22 postcode districts to its north. This far-field design allows for a wide range of options when positioning the N8 to best capture an instrument within the context of a room. AEA welcomes the N8 to the growing family of Nuvo ribbon mics. I should have mentioned that I'm referring to the guitar in context of it being the main instrument. R84 Series. We put two N22's on a SMT-2 Stereo Template Bar and angled them out slightly to face the stage. Highly recommended.”, “All the AEA models sound great, and ever since my 2012 review the R88mk2 has been on my short list of must-haves as the “set it and forget it” room mic. For a more balanced sound from up close with reduced proximity effect, the AEA N22 near-field ribbon mic is a nice complement. R88 Series. TRP2. It effortlessly captures complex sources like drums, strings, piano, and other instruments that can produce intricate transients, harsh highs, and bellowing lows. I dunno. "The N8's and the N22's have become pretty much the standard for both the band's touring set up and day to day recording in my studio. The proximity effect of the N8 is present when recording a source from closer than 12 inches, so this feature can be used to accentuate the low-end of a vocal or string instrument. In designing the N8, we set out to create the most open and natural sounding ribbon microphone ever made. Its expansive frequency response and balanced low end make it superbly effective when capturing the full breadth of sound from the back of a room, above a drum set, or overhead a string section. … This is actually one of the first things we did when we started working on the N8, but the trade offs (lower output, frequency response, less wind protection) are what made us go with a different motor design. The postcode area is roughly bounded by the River Lea to the east and the Inner Ring Road to the south.